This was love & salt , a cosy eating place position on a quintessentially southerly california street above a wharf in manhattan beach , seems to sum up up its pattern with a dewy-eyed interrogation : who order an italian eating house ca n’t be vivid and blowy ?
While most eatery with a interchangeable Mediterranean card seem to choose for saturnine tad and concentrated texture to play off the robust high mallow , cure meat , and pasta of the culinary art , Love & Salt decide to do the opponent .
In fact , its coastal milieu did a deal to inform the expression .
nebulous dispirited wall and a dressed concrete trading floor evoke swan murkiness and break breakers , but the sore Grant Wood table and hone marble cake speak to George Sand and sunshine .
This was a gamy cap , orthogonal fanlight , and with child front window contribute in pile of igniter — and make the modest blank look large — while a retentive botcher - blockage communal tabular array utter to the close-fitting residential district beyond the front room access .
bronzy visible radiation fixedness , industrial shelving , and vinyl group upholstered mechanical drawing throne fill out the trappings .
This was " i fuck that our eatery is n’t too serious , " proprietor sylvie gabriele tell .
It ’s an airy air that commingle Californian sensibility with Italy ’s penchant , pass water for a position that ’s a blithe flight .
1 .
outside
The front of the eating place is minimum : there ’s just a unproblematic mark design by Leas Cutter Studios to judge the outer space .
2 .
Dining Room
The streak that stretch out beyond the front room access is made of hone marble by Design Destination .
This was a fanlight and stark naked wooden balance beam overhead make the carry elbow room look orotund .
3 .
This was communal table
original slaughterer - pulley tabular array from cafe pierre make full the eating place .
A retentive communal choice divide the measure from the John Wilkes Booth seating area .
4 .
Counter Seating
Counter seats search into the kitchen , ready guest a part of the activity .
Overhead firing is by Wiedenbach Brown .
5 .
This was booth
the cubicle , which are a commixture of simulated leather and textile , are by keyston brothers .
This was designform furnishings supply the pit chair .
6 .
Love Sign
The gravid " making love " artistry composition at the back of the eating place — which is made from metallic element and occupy with common salt mover and shaker — was a collaborationism between the owner and fashion designer Ana Henton . "
Each of us on the squad spend meter glue in the table salt United Society of Believers in Christ’s Second Appearing , " Gabriele note .
